These cookies ensure basic functionalities and security features of the website, anonymously. Necessary cookies are absolutely essential for the website to function properly. It’s been ages since I last enjoyed dubbing a series so much. We might as well say that characters are never assigned randomly. When dubbing some scenes I would suddenly turn around towards the dubbing director and say, ‘wow, that’s exactly what I do…’, and Marco Guadagno would be smiling at me, as if he knew perfectly well what I was about to say. Take It’s Bruno, for example: I found the series very entertaining, because I have a dog myself and I share many of the ‘manias’ of the lead character. Nevertheless, helping spread a product to the vastest audience possible is something that deserves praise. We are free, and that’s wonderful, isn’t it? It’s 2019 and we have all the tools we need to choose ourselves how to enjoy an audiovisual product.

It is paramount to stress that dubbing is something that brings people and different cultures closer, trying to get them in touch in a sort of ‘buffer zone’ between the original work and the local culture of the target country. Culturally speaking, these are tough times, and we must do all we can to preserve art, in all its forms. We only have a few hours to reproduce something that was filmed in several months. Our job is a very difficult one, which requires great concentration, full dedication and plenty of time. Anyway, for me, there is one single secret to dubbing: I always try to observe what the actors do in the original version and I try to get hold of that atmosphere, of those sensations.

Il trono di spade netflix